Light is often cited as the ultimate intangible architectural element, with its ability to create form, volume and texture. But the way we perceive the built environment isn’t limited to the gaze. It’s a multisensory experience. The aural as much as the visual shapes the way we encounter, navigate and draw pleasure (or displeasure) from the spaces we continually move through. Against the backdrop of a, somewhat belated, increase in the awareness and practice of acoustic planning in architecture, the non plus ultra of building types where sound takes centre stage has been given fresh creative expression by a number of architects internationally. The concert hall, whose very raison d’etre is the optimised conveyance and consumption of sound, is undergoing a renaissance, with recently completed projects – from the landmark to the limited-budget – marrying performance space with high-performance acoustics. A decade under construction due to a series of setbacks, Herzog & de Meuron’s long-a… continue
from New stories by Architonic http://ift.tt/2croGfM
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